NY Fashion Week: MAC S/S '11 Face Charts For Monday, September 13th

RAD HOURANI
“IT’S ALL ABOUT FRESH, GROOMED SKIN, LIKE THE GIRLS JUST STEPPED OUT OF THE SHOWER.”
HUNG VANGO

EYE
BRULE EYE SHADOW – LIGHTLY DUSTED ONTO THE EYELIDS FROM LASH LINES TO BROWS.

LIP
DIM LIP ERASE – LIGHTLY PATTED ONTO THE LIPS TO GENTLY TAKE SOME OF THE COLOUR DOWN.

FACE
STUDIO MOISTURE FIX – TO MOISTURIZE THE SKIN.
STUDIO SCULPT FOUNDATION – FOR FLAWLESS SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER – TO MINIMIZE SHINE IN THE T-ZONE.
HUSH CREAM COLOUR BASE – APPLIED AS A HIGHLIGHT ON THE CHEEKBONES.

MONIQUE LHUILLIER“IT’S A 1950S AUDREY HEPBURN LOOK WITH AN AERODYNAMIC BEAUTIFUL EYE LINER. VERY HAUTE COUTURE AND RED CARPET, SLIGHTLY DEBUTANT WITH GILDED LILACS ON THE EYE LID, LINER AND A DELICATE SOFT, PINK GLOSSED LIP.”
VAL GARLAND

EYE
DIGIT AND VELLUM EYE SHADOWS – LAYERED ONTO THE EYELIDS.
CRYSTAL EYE SHADOW – THROUGH THE CREASE OF THE EYELIDS WITH A LAYER OF IDOL EYES EYE SHADOW APPLIED WET ON TOP.
WOODWINKED EYE SHADOW – PLACED ON THE INNER CORNERS OF THE EYELIDS.
BLACKTRACK FLUIDLINE – LINING THE EYES IN A WINGED OUT SHAPE.
41 LASHES – CUT IN HALF AND APPLIED TO THE OUTER CORNERS OF THE EYES.

LIP
VIVA GLAM GAGA LIPGLASS – PATTED ONTO THE LIPS.

FACE
FACE AND BODY FOUNDATION – APPLIED AS A BASE.
BAMBOO CREAM COLOUR BASE – BLENDED ONTO THE CHEEKS.
SHELL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.

CAROLINA HERRERA“THE INSPIRATION WAS TRADITIONAL KOREAN COSTUME, FLORAL
PRINTS OR PHOTOGRAPHS OF FLOWERS WHICH LEAD US TO
CREATE A BRICK COLOURED EYE.”
DIANE KENDAL

EYEBRICK LIP PENCIL – BLENDED FROM THE LASHLINE TO THE CREASE OF THE EYELIDS, DIFFUSED OUT TOWARD THE OUTER CORNERS OF THE EYES.
ANTIQUED EYE SHADOW – TAPPED ON TOP OF THE DIFFUSED PENCIL TO EXTEND THE SHAPE OF THE EYE IN A HORIZONTAL DIRECTION.
DIVA LIPSTICK – ADDED TO THE INNER AND OUTER CREASE OF THE EYELIDS FOR SOFT DEFINITION.
BLACK HAUTE AND NAUGHTY MASCARA – APPLIED TO HEAVILY CURLED LASHES.

LIP
SUGAR RIMMED DAZZLEGLASS – APPLIED WITH A 231 BRUSH.

FACE
STUDIO FINISH CONCEALER – APPLIED WHERE NEEDED.
PREP + PRIME TRANSPARENT FINISHING POWDER – TO MINIMIZE SHINE IN THE T-ZONE.
PINCH ’O PEACH POWDER BLUSH – ADDED TO THE APPLES OF THE CHEEKS, COMPLETELY DIFFUSED OUT IN A SUNBURST EFFECT.

DONNA KARAN“THE INSPIRATION FOR THE LOOK WAS 1930S PHOTOGRAPHS –
A COMBINATION OF BRONZE & GOLD ON THE EYES WITH
A VERY MATTE SKIN.”
CHARLOTTE TILBURY

EYE
INDIANWOOD PAINT POT – BUFFED OVER THE EYELIDS UP THROUGH THE CREASE AND ALONG THE LOWER LASH LINES IN A 1930S SHAPE.
M·A·C PRO GOLD PIGMENT – BRUSHED THROUGH THE CREASE OF THE EYELIDS.
M·A·C PRO GLOSS TEXTURE – PATTED OVER THE EYELIDS.

LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS.

FACE
FACE AND BODY FOUNDATION – APPLIED AS A SHEER BASE.
PREP + PRIME TRANSPARENT FINISHING POWDER – TO MINIMIZE SHINE IN THE T-ZONE.