NY Fashion Week: MAC Spring/Summer '11 Face Charts For Friday, September 10th

COSTELLO TAGLIAPIETRA

“A MODERN MIA FARROW FROM THE MOVIE THE GREAT GATSBY WHICH WAS SET IN THE 1920S.”
LISA BUTLER

EYE
ROOT CREAM COLOUR BASE – DIFFUSED OVER THE EYELIDS FROM LASH LINE TO BROWS.
COAL BLACK PRO LASH MASCARA – APPLIED TO TOP AND BOTTOM LASHES.

LIP
BRIT WIT BLUSH CRÈME AND VINTAGE ROSE CREAM COLOUR BASE – THICKENED WITH CONCEALER PATTED ONTO THE LIPS.

FACE
BRIT WIT BLUSHCREME AND VINTAGE ROSE CREAM COLOUR BASE – BLENDED ONTO THE CHEEKS FOR A TRANSLUCENT NATURAL FLUSH.



PETER SOM

“WE TOOK THE ICONIC ’60S EYELINER BUT MADE IT FRESH BY DOING IT IN YELLOW INSTEAD OF CLASSIC BLACK.”
TOM PECHEUX

EYE
M·A·C PRO PRIMARY YELLOW CHROMALINE – BRUSHED ON IN A PRECISE ’60S SHAPE WITHOUT THE OUTER CORNER WING.

LIP
SO VAIN KISSABLE LIPCOLOUR (AVAILABLE 2011) – PATTED ONTO THE LIPS.

FACE
FACE AND BODY FOUNDATION – APPLIED TO EVEN OUT THE SKIN TONE IN A SHEER WAY.
MINERALIZE SKINFINISH NATURAL – TO SOFTLY SCULPT THE FACE AND REPLACE THE DIMENSION LOST WHEN FOUNDATION WAS APPLIED.



DOO.RI

“SHE’S A FADED GIRL-DISCREET AND WASHED OUT WITH JOYFUL BUT MINIMAL COLOUR.”
TOM PECHEUX

EYE
WASHED OUT CREAMSHADOW (AVAILABLE 2011) – BLENDED OVER THE EYELIDS.
ASH BLONDE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) – APPLIED TO THE INNER CORNERS OF THE EYES.
DERAILED CREAMSHADOW (AVAILABLE 2011) AND OCHRE STUDIO FINISH SKIN CORRECTOR –BUFFED INTO THE OUTER CORNERS OF THE EYELIDS AND LOWER LASH LINE.

LIP
ASH BLONDE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) – PATTED ONTO THE LIPS.
OCHRE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) – TOUCHED INTO THE CENTER OF THE LIPS.

FACE
FACE AND BODY FOUNDATION – APPLIED FOR NATURAL AND PERFECTED SKIN.
PROLONGWEAR CONCEALER – APPLIED WHERE NEEDED.