London MAC Fall/Winter '10 Daily Face Charts For Sunday, February 21st

Eyes:
EYE KOHL IN FASCINATING – applied to the water lines of the eyelids
FULL COVERAGE FOUNDATION IN WHITE – smoothed onto the lids for a milky effect
BROW SET IN CLEAR – brushed up through the brows
NO MASCARA

FACE:
STUDIO SCULPT FOUNDATION – applied to the face for a really perfect skin that’s not heavy
CREAM COLOUR BASE IN PEARL – blended with fingers all over the cheekbones
CREAM COLOUR BASE IN LUNA – to further highlight the highest part of the cheekbone
CREAM COLOUR BASE IN FAWNTASTIC – used in place of Pearl as a highlight for deeper skin tones

Lip:
LIP ERASE IN DIM – the tiniest amount, simply to make the lip tonal with the skin




Eyes:
EYE SHADOW IN TETE-a-TINT – blended quickly all over the lid and beneath the eye imprecisely
EYE SHADOW IN PALACE PEDIGREE (Available Fall 2010) – washed over the brow bone and lower lash line
EYE KOHL IN SMOLDER – to thickly and messily line the lower lashes
PRO GLOSS TEXTURE – painted under the lower lashes as a base for the glitter
GLITTER IN 3D GOLD, COPPER, REFLECTS VERY PINK – randomly blended beneath the eyes
LIP PENCIL IN REDD – dotted on the inner corners of the eye, topped with Gloss
Texture and a small cut-out of red reflective paper
NO MASCARA
BROW SET IN CLEAR – to brush up brows

FACE:
FACE AND BODY FOUNDATION – applied to the face
SELECT MOISTURECOVER CONCEALER – applied where needed
BLUSHCREME IN LAID BACK – dabbed across the cheeks
PRO GLOSS TEXTURE – layered over the blush

Lip:
BLUSHCREME IN LAID BACK – patted onto the lips for a stain



Eyes:
POWDER BLUSH IN TAUPE, EYE SHADOW IN QUARRY, EYE SHADOW IN COPPERPLATE – All washed (layered from Taupe to Copperplate) from the lashline to the brow with a soft 224 brush, and taken beneath the eye and down the sides of the nose with a 219 brush
NO MASCARA

FACE:
STROBE LIQUID mixed with FACE AND BODY FOUNDATION IN WHITE and either C1 or C2 – to give the skin a translucent pallor, a dreamlike glow
POWDER BLUSH IN TAUPE – as a foundation for the contour
EYE SHADOW IN QUARRY – to cool down the colour
EYE SHADOW IN COPPERPLATE – to deepen the shadows
All applied with a 116 brush for an airbrushed effect, on the cheekbones,
temples, ears and jaw.
*Half the girls have shading on both sides of their face, 7 have shading only on the left, 7 only from the right.

Lip:
LIP ERASE IN PALE – applied to the lips
LIP PENCIL IN STONE – applied to the top lip only, and beneath the lower lip
EYE SHADOW IN COPPERPLATE – layered over the lip pencil for a matte grey brown tone